‘Salma doesn’t mince words, there is no modulation or playing down. She’s very even-toned but she doesn’t hold back,’ says the English translator of Salma’s The Curse, N Kalyan Raman in an interview to Firstpost
Speaking to Natasha Badhwar for Article 14, Mander opens up for the first time about his own near-death experience of being a Covid patient in a public hospital and the implications of being in the midst of a humanitarian catastrophe.
In an interview with Cinestaan, Ratnottama Sengupta speaks about her father, famed screenwriter Nabendu Ghosh, and why he wrote about courtesans and prostituted women in the collection of short stories titled Mistress of Melodies.
In The Brass Notebook, the feminist economist and academician has sportingly put down a no-holds-barred, intimate and political memoir that chronicles her colourful life and journey. Money Control
Review of Gulgul in Sea-Saw Gara: For the first time, what may look like a fun-filled adventure read, may actually give some insights on topics like food chain, breaking gender stereotypes and a curiosity for coining or understanding words over re-reads. – Kids Book Café
Bride of the Forest perfectly stays true to its name. Philosophically precise, factually glorified and beautifully put to words, Madhavi Mahadevan’s new book is a literary work worth remembering. – Deepan’s Bookshelf